UNDERWATER PEOPLES RECORDS
For those of you just meeting Twerps, you'd be surprised at the evolution of their sound. When we first heard them via the folks at Chapter Music, they
After a mixed-bag EP, Twerps' self-titled debut finds the breezy Melbourne pop quartet ramping up the jangle of its Flying Nun-influenced sound and finding its voice in a series of songs about young, conflicted love.
Australian indie rockers Twerps play mellow, reverb-heavy guitar jams accented by warm, laid-back hooks. Songs like Who Are You definitely remind of the Black
We've already been up on the jangly, melancholic, perfectly autumnal lead single Dreamin and the equally laid-back/seasonally appropriate, female-fronted
On October 18 (and October 14 in Australia), Australian indie act Twerps will put out their self-titled debut on Underwater ...
Lisa Eisner Captures the Unfettered Adolescence of the Iconic Californian Boarding School
Effortlessly segueing from 1980s radio-ready pop and lilting ambiance to first-wave shoegaze, found-sound rumblings, and motorik, Nick Ray's one-man lo-fi project offers a cohesive sound in spite of its vast array of styles.
FEATURE ON UNDERWATER PEOPLES RECORDS
In our first Makin' It column, GOOD talks to musician and ethnomusicologist Julian Lynch about how got where he is, and why.
Mess+Noise, A Local Music Magazine is dedicated to showing Australian music in a different and evocative light. Photo essays, art pieces by musicians, inquisitive interviews and idiosyncratic reviews intermingle throughout.
On October 4, Soft Abuse releases How Mata Hari Lost Her Head and Found Her Body, an EP of material that avant-pop collagist Julian Lynch recorded for the animated film of the same name from experimental filmmaker Amy Ruhl. According to a press release (and as hinted at by the title), the film concerns Dutch exotic dancer and accused World War I spy Mata Hari. Check out a cut from the EP, "Temple Danc
